Alternative title
Samlingshandskrift med poesi och kommentarer till poesi, troligen för undervisningsbruk
Language
Persons
Origin
Venedig, 1540s
Physical description
Material: paper
Format: Non digital + Digital, reformatted digital
- Script: ff. 1r–30v Nikolaos Gaitanos Marulos Responsible for all the main texts, and most of the paratexts including rubricized parts, commentaries and glossae. He uses an even, slightly right-sloping humanist minuscule in the style of Camillus Venetus (so-called Camillus-Schrift); cf.
Harlfinger, D., ‘Zu griechischen Kopisten und Schriftstilen des 15. und 16. Jahrhunderts’, in La Paléographie grecque et byzantine, Glénisson, J., and Bompaire, J., and Irigoin, J., (ed.) (Paris 1977) pp. 327–362.
. ff. 28r–28v A sixteenth-century minuscule hand, probably responsible for the Syrinx paraphrase, the second paraphrase to the Altar (i.e. the one to the left on f. 28v), as well as the note in the lower margin on the same page. Note the use of the Fähnchen-Tau, in conformity with the main scribe. ff. 1r–18v Scattered glosses in a cursive minuscule hand, mainly in the outermost margin and occasionally in-between lines.
- Collation: Q1(VI-1post f.7+2f.8–9)f.13 + Q2IVf.21 + Q3(II-1post f.24)f.24 + Q4IIf.28 + Q5If.30
No threads are visible in the quires due to the excessive use of adhesive at the spine. The collation is thus tentative and based on the different kinds of paper and the watermark positions.
- Foliation: Foliation in pencil by a modern hand: 1–30.
Notes
Literature
Aurivillius, C. E., Codices Manuscriptos Graecos Bibliothecae Acad. Upsaliensis (handwritten catalogue) (1835).
Graux, C., and Martin, A., Notices sommaires des manuscrits grecs de Suède (Paris 1889) p. 50.
Lindstam, S., ‘Codex Upsaliensis Graecus 21’, Eranos vol. 29 (1931) vol. 29pp. 116–154.
Strodel, S., Zur Überlieferung und zum Verständnis der hellenistischen Technopaignien (Munich 2002) p. 40, p. 124, p. 126.
External links
Book binding
Binding: Pattern-woven silk cover in gold, green, and beige over paper boards. No endbands. Brokatpapier in green and copper is used for pastedowns. For the identical pattern but in different colours, see Heijbroek, J. F., and Greven, T. C., Sierpapier: marmer-, brocaat- en sitspapier in Nederland (Amsterdam 1994) p. 120. ; pattern N:o 72 (manufacturer Georg Reimund, Augsburg, who was active 1746–1755).
Binding dimensions: 225 × 165 × 7 mm
Condition: The spine is badly worn and damaged, the boards now being held together provisionally with the help of a slip of brown paper pasted aroung the spine. The bookblock has come loose completely. A lending slip that used to be pasted to f. SL1r is now unstuck.
Contact
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Location
Uppsala University LibraryCarolina Rediviva, Dag Hammarskjölds väg 1Box 510
SE 751 20 Uppsala
- Shelfmark: Gr. 21
- Previous shelfmark: Björnståhl 11
Identifiers (general)
urn:nbn:se:alvin:portal:record-101797 (nbn)
Identifiers (local)
alvin-record:101797 (alvin)
Licensing of the work
Public Domain Mark (No Known Copyright)